My Author Page on Amazon

This is a short post, just to share the fact that, as of now, I am another slave in the galley of mighty Amazon. This is my author page there:

amazon.com/author/irynatymchenko

If you are also an Amazon author, you are welcome to share the link to your author page with me, so we can connect there and follow each other.

Alright, I am off to my galley now. Time to write more books…

There I am, behind the last oar, see? 😉

Learn English with Love!

Dear Friends,

just in case if someone of you is interested…The Romantic English Phrase Book, a perfect little gift to send to your romantic Russian-speaking friend, is now available as a Kindle book on Amazon: https://www.amazon.com/dp/B07N7JMCH6

Learn English with Love!
Изучайте английский с любовью!

The phrase book was designed specifically to assist Russian-speaking women who are taking their first steps in learning English. It is a perfect communication tool for international couples in the moments when there is no interpreter at hand. Consider making this gift for your charming Russian-speaking friend and the phrase book will help you to establish your unique, common language of romance and togetherness.

The book has already helped dozens of couples. You are welcome to try it, too! https://www.amazon.com/dp/1545494223/

Kindle version: https://www.amazon.com/dp/B07N7JMCH6

Definitely Maybe… (a book review)

It feels a bit funny to see the cover of this book with English words on it, because I know its original Russian version so well. The book is really, truly Soviet, if I may say so. I mean to say that in it, the characters, their moral/ethical positions, the setting, the events, and everything else up to the last line is filled with the worldview of the Soviet people. Well, this makes the book even more interesting for us today, when the Soviet Union is only history.

Still, the problems raised in the book are global, or I’d rather say, universal. The novel is amazing in its ability to live and remain ‘fresh’ through time: today, half of a century later, it reads as if it was written just yesterday by someone who always looks into the future.

I am sure, the authors did.

Definitely Maybe (Russian: За миллиард лет до конца света,  literal translation: A Billion Years Before the End of the World, sometimes called Definitely Maybe: A Manuscript Discovered Under Unusual Circumstances) is a science fiction novel by Russian writers Arkady and Boris Strugatsky, first published 1974. The story takes place in Leningrad, USSR. The protagonist, an astrophysicist Dmitry Malyanov, is officially on vacation, but continues to work on his thesis, “The Interaction of Stars with Diffused Galactic Matter”. Just as he begins to realize that he is on the verge of a discovery worthy of a Nobel Prize, his life becomes plagued by a number of strange events, which finally lead him to a great deal of stress and make him unable to do his research anymore.

Little by little, Malyanov begins to suspect that someone (or something) deliberately intends to prevent him from continuing his work. Meanwhile, the same idea occurs to his friends, also talented scientists, who find themselves in a similar situation—some powerful, mysterious, and very selective force impedes their work.

An explanation is proposed by Malyanov’s friend, the mathematician Vecherovsky. He posits that some mysterious force is trying to slow down mankind’s scientific pursuit, which might become a threat to the very fabric of the universe in some distant future. In fact, it is the Universe itself that resists attempts of rational beings of constructing supercivilizations. Vecherovsky proposes to treat this universal resistance to scientific progress as a natural phenomenon which can and should be investigated and even harnessed by Science.

As the novel concludes, the other scientists, including Malyanov, have been forced to abandon their research, and Vecherovsky remains alone to battle the universe and continue their work.

I just finished reading the book for the 4-th or possibly the 5-th time, and enjoyed it again– maybe even more than the previous times. It glows with love for the world we live in. It is profound in thought; it touches deepest problems of human ethics, and at the same time, it is full of humor and life. I do recommend you to try reading it.

Also, I absolutely love and would like to recommend a few more books by Strugatsky brothers:

Snail on the Slope (Russian – “Улитка на склоне”) is a philosophic and deeply psychological sci-fi novel ;

The Doomed City (Russian: Град обреченный) is a 1972 science fiction novel — an absolutely amazing philosophic piece to read

Roadside Picnic (Russian: Пикник на обочине), a 1971 novel; within ten years after the first publication, 38 editions of it were published in 20 countries.

The Ugly Swans (Russian: Гадкие лебеди) written in the 1960-ies, but published only in 1987, during Gorbachev’s Perestroika.

Side Thoughts About Reading Fiction

Has it ever come to your mind that mankind might have never accepted the idea of writing books that are supposed to give the reader nothing, but pleasure? I am talking about fiction. Well, we all know that quite many people find fiction books absolutely useless and never read them. In the early ages, especially when only a tiny part of society could read at all, the mankind could easily decide to pass on fiction at all and limit itself to just using books for the purpose of sharing useful information, like coursebooks, instruction manuals, all sorts of directories and documentation, etc. Wow, just think about it: people might have never understood the pleasure of reading for fun. Eww, what a dull planet we would be then!

Unlike other inventions of the mankind, and even more — despite them — fiction books manage to remain incrediblly popular among millions, and this fact itself is amazing.

“It took thirty-eight years before 50 million people gained access to radios. It took television thirteen years to earn an audience that size. It took Instagram a year and a half.” says Gary Vaynerchuk, a social media personality and a serial entrepreneur. I can’t help thinking that, with all these changes in the world, with so many other things to see and experience, and with having dramatic lack of free time, people’s affection for reading fiction looks… well, it looks kind of weird!

I used to think that this has something to do with the insatiable appetite of all humans for obtaining new emotional experiences. The best (or the safest) way to get them is to make yourself comfortable with a book in a soft chair and follow your protagonist’s adventures, unless you perfer to throw yourself into the storming ocean of real life experiences. Through centuries, fiction books continued to play the role of a soft sedative for emotionally thirsty people. But now, in the 21-st century, when we have all sorts of other emotional teasers like television, the Internet, virtual games, etc., why do we remain so attracted to books? So I think that it is not just about emotions — fiction books help feed our thirst for fantasizing. Our imagination refuses to be chained within the limits of a movie, or a game, or something that has been prepared for our eyes, and — alas! — has a finished, static shape. We need more: some basic blocks for experiences which we can build and colorize in our own minds, to our personal tastes, and fiction books, so far, remain the only phenomenon that can give it to us.

Please, let me know what you think about this. Your comments are very welcome.

The Truth Behind the Christmas Tree

xmas-treeThis is a picture of the famous Harold Lloyd’s Christmas Tree of 1974. According to some Internet resources, it took the Lloyds family a whole month to decorate it. Well, I have no idea how much this giant could weigh, but–

Cats of the world, keep away! 🙂

The tree was made by wiring three large Douglas firs together. The carcass was then fireproofed and reinforced with bamboo and steel bolts. The resulting giant was 20 feet high, 9 feet wide, and 30 feet in diameter. Thousands of Ornaments were used to decorate it. They say, Harrold Lloyd loved collecting Christmas ornaments, he would buy some  new items all the year round, wherever he used to travel. xmas-tree-HL

The tree is supposed to look beautiful, and– well, in human understanding it does, because it is perfectly proportional, amazingly luxurious, enormous in size, and it was ‘assembled’ of so many shining items, each one really beautiful in itself, that it wows everyone who takes a look at it.

But to me, it also looks bizarre, even a bit scary, especially now, when I know that it conceals three bodies of some day gorgeous and healthy trees and a mass of bamboo sticks and bolts.

It looks kind of scary because it reminds me of our world today: seemingly beautiful, shining and full of life, but being held together by quite a big mass of ugly stuff, and we, people people of the world, are nothing more than billions of shining, but freakishly vulnerable decorations, helplessly hanging down from it. Each of us knows this, but we prefer not to think about it: we keep hanging and shining, and pretending that there is nothing wrong with our big Mother tree.

I did not intend to make you sad by this post: I was just telling what I consider to be the truth. But if it did make you sad, it means that you also feel the way I do… at least a little bit. Do you?

Discussing Main Publishing Trends of 2018

booksIt is always good to be aware of the dynamics of the industry you represent, so I try not to miss the annual emails on main publishing trends that come with my subscriptions to various online resources for authors. In 2018, the major authors’ resource authorspublish.com has been discussing the following tendencies in the publishing industry:

1. The euphoria of self-publishing is wearing off ;

2. Independent publishers are becoming more likely to be closed to unsolicited submissions;

3. There are fewer eBook-only publishers (According to authorspublish.com, “A number of eBook-only publishers have closed this year. Others that have focused on eBooks only are now publishing print versions as well.”);

4. More literary journals are charging reading fees;

5. More prestigious literary journals are charging reading fees;

6. More literary journals are having free submission options;

7. Presses have no time to send rejections;

8. Print journals are becoming rarer and rarer;

9. Publishers are consolidating;

10. More small manuscript presses are using Submittable. 

These trends were kind of anticipated by experts, but now we have an ‘official’ confirmation that the changes are rue, which allows every author to make better conclusions about their personal writing and publishing strategies for 2019.

These facts, however, cannot provide a full and objective picture of the industry dynamics without another piece of information–on  international bestsellers lists for fiction books, published in a few European countries (France, Germany, Italy, and Spain) in English. After studying the lists provided in Nina Sabak’s article at publishingtrends.com and a few other similar resources, outlining current publishing trends in Russia, Poland and Germany, I came up with some interesting conclusions:

  1. There is an internationally developing tendency to print and sell mainly the books of certain genres: mainly mysteries, thrillers, then some fantasy books and a bit of speculative prose, while other popular genres (like romance) are not printed in large quantities in Europe;
  2. It is possible that the major publishers are taking steps toward printing mainly the bestsellers that can be regarded as ‘universally’ accepted pieces of reading and will more certainly be purchased as gifts (to be placed on a bookshelf and read again and again) rather than as pocket editions. This fact confirms that, due to the  quickly developing attitude to printed books as souvenirs rather than information (knowledge) carriers, the publishers all over the world tend to print a limited variety of the most popular bestsellers (innthe most popular genres), while the rest of the books tend to be distributed as e-books.

I also believe that in the nearest years, a new tendency to write shorter fiction books will continue to develop. This conclusion does not follow from the above mentioned articles, but the general tendencies listed here indirectly confirm such possibility.

Any way, the changes are coming tha they are inevitable. Let us see what changes the coming year is going to bring to the publishing industry. And now, just look at the beautiful picture below — very probably, for the last time, because as of now, more and more people prefer to have a kindle device or a phone in their hands while reading.

learning1

Success Is All About Making the Right Choice

Success comes with making the right choice of the object to deal with.

Why torture yourself with learning, training, taking risks and gaining success drop by drop?

Simply attack a slipper and feel like a lion!

Sonya_making_friends_06_07_2018

Writing a One-Sentence Novel Summary

Every author of fiction is familiar with the torture of putting together a one-sentence summary of every story they write: the sentence that serves a few purposes at a time. It is supposed to do a few things–

  • define the so-called “story question”;
  • help readers decide whether they want to read this book;
  • be the writer’s navigation tool that shows him/her the direction of writing;
  • become a very effective marketing tool, etc.

Writing a one-sentence description is always a big burden for the author, because every story contains numerous ideas, suggestions and messages, dozens of which can be precious for the readers, but the author must choose only one message: the one that will serve as a solid carcas supporting the whole structure of the future book.

Which message is it? How can the author identify it? What is the best way to put it together into that magical one-sentence statement? Many authors spend weeks trying to answer these questions, learning from each other, looking for a ‘universal’ algorithm, which would satisfy everyone: the author, the reader, and the publisher of the book.

The only constant in the book writing process is the triple alliance of the author, the reader, and the publisher. To understand what each party is expecting to see in our one-centence summary, it is necessary to look at their goals.

The author’s initial goal in writing a book is to impress a large number of people (what else can make a person voluntarily spend years of her life working like a dog without any guarantee of future rewards or benefits?) To impress a large number of people one needs to say something witty in that sentence: something new and revealing, something that others do not normally see the way the author can see it;

The reader’s goal is to obtain memorable experiences (emotional, intellectual, ethical, aesthetic, etc.) Obtaining memorable experiences is always associated with suffering (not physical, but emotional): every reader wants to experience a new level of it with every next book they take from a shelf, which means that our one-sentence statement must contain an emotionally disturbing idea or image; in other words, it should produce an effect of a needle prick.

The publisher’s goal is pragmatic: to hit the best possible sales and thus, to make the best possible profit, which means that the publisher is expecting to see a couple of amazingly precise and effective keywords which will capture the minds of millions.

Now, let us see what we can get from this. Summing up the above paragraphs, our magical one-sentence novel description must meet the three abovementionned basic conditions, which means that the author should make sure to include the following elements into the description:

one-sent-novel-summary-elements1

After we have given it a lot of thinking and put a few words opposite each of the three above items, we can move on to building the structure of our sentence. Again, how can we satisfy everyone who is going to read it?

Many publications on the topic suggest a variety of one-sentence summary structures which have worked well for the bestselling authors. We certainly cannot ignore them. Having studied a dozen of such publications, we can see that the proposed examples of one-sentence summaries usually have simple and easy to read structure, so that everyone could grasp all information contained in the sentence right away: literally, at a glance. Majority of sample one-sentence descriptions had the structures similar to this one:

one-sent-novel-summary-scheme1 I provided an example below the scheme, which illustrates the elements of the sentence structure. This example can also show us that the sample one-sentence description–

“In a care home for the elderly, a woman draws strength from a mysterious friendship in an attempt to recall past secrets and prove her sanity” (Three Things About Elsie by Joanna Cannon review)

is not only built in accordance with the ‘Where-Who-How-What for’ scheme, but it also meets the three conditions which we discussed above:

(1) it contains a new, revealing look at a common, quite failiar and socially important topic (elderly woman draws strength… from friendship; … to prove her sanity);

(2) it is emotionally touching and grabs the reader’s attention right away (elderly woman;  friendship; prove sanity – these words produce expectation of a touching, possibly sentimental, maybe even dramatic, but definitely emotionally intense story);

(3) it has the ‘magical’ keywords, which immediately attract attention of the target audience (the words mysterious, secret draw our attention to the genre and style of writing: as we read them, we expect a great degree of suspense in the story; also, the phrases draws strength, an attempt to recall, and prove her sanity immediately evoke imagess of a dynamic and captivating plot, where the characters must take tremendous  efforts to achieve their goals).

As you can see, our ten-minute study of the ‘secrets’ of successful one-sentence summary writing has already revealed a lot of valuable information; I am sure we can get more if we study more examples of such summaries. I am going to continue my research and write another post about successful one-sentence novel summaries in this blog soon.

You are very welcome to paste your comments, suggestions and — maybe — your examples of one-sentence summaries below this post. Let us analyse them together.

writing01

 

 

The Aftertaste of Portnoy’s Complaint

Portnoys-complaintWhy do we rate some books as classics, while many other books remain labeled in our minds as ‘just another great novel’? To me, Philip Roth’s Portnoy’s Complaint is a good example illustrating the answer to this question.

When I opened Portnoy’s Complaint for the first time, I could feel its Jewish-American scent from the very first lines. It felt like being physically present in that community and knowing the protagonist and his family in person. The images drawn by Philip Roth were so vivid that I was disgusted by the feeling of presence in their bathroom when I came across the descriptions of various physiological acts performed there by the protagonist. Some scenes disturbed me: they reminded me of other similar families which I used to know. The first pages caused some unpleasant aftertaste, so I had to close the book for a while and let my disgust calm down.

However, the book did not let me go, I started thinking about it. Surprisingly, the scenes that had caused my disgust in the beginning, slowly floated away with time, and then the main character — the self-antagonistic protagonist with painfully inflamed, guilt-infested mind, captured my imagination. The few first pages of the book left such a strong aftertaste that I had no other choice, but to open the book again and read it to the end.

To be honest, this guy–the protagonist–still disgusts me: this obtrusive Jewish bore keeps making me think about his problems… against my will! No, I am not going to discuss his mental and emotional health here… not in this post, but isn’t it amazing how the protagonist has all the qualities of an antagonist, and in fact, in this book, he is both! Two in one!

What attracts my attention is the fact that Philip Roth’s novel has captured my imagination so much that, weeks after reading it, I still return to it in my mind, thinking about its characters as if they are real people living next door.

I am certainly not the first one to develop this aftertaste from the novel. The book has  been sensationally popular; millions of people have read it since the day it was published. As Bernard Avishai wrote in his article for Huffington Post,

“By 1975, six years after the book’s publication, Portnoy’s Complaint had sold nearly half a million copies in hardback in the United States, three and a half million in paperback. The book brought what was in the back of our minds to the tips of tongues.”

The reviews of the book are countless, too. And quite controversial. Some rate the book as absolutely excellent, others are openly negative, but nearly no one evaluates the book as average.

The novel touches every reader in a unique way, no matter what kind of emotions it evokes, because Portnoy’s Complaint is–

“…a novel that is playfully and painfully moving, but also a work that is certainly catholic in appeal, potentially monumental in effect–and, perhaps more important, a deliciously funny book, absurd and exuberant, wild and uproarious.” NYTimes review

portnoy_getty_ringer.0

Huxley’s Novel Where Nothing Happens…

This post is about Crome Yellow by Aldous Huxley. I just ran across a short Youtube video, where the reviewer’s main idea was to say that ‘characters talk a lot’, but ‘nothing really happens’ in the novel…

aldous01

I happened to have Crome Yellow in my home library since I was a teenager. The book was not a translation into Russian: it was an original, unabridged edition, a rare thing for the books, published in the Soviet Union. Now, I even think that the Soviet-time censors allowed it to be published because they also saw Crome Yellow as a book where ‘nothing really happens’. A perfect book for a censor, no doubt.   aldous6

It rested untouched in my room, on the English books shelf, for years. Published in 1979 by the USSR’s “Progress” publishing house, it was smaller than  traditional books, but a bit larger than classical Penguin books, so my mother left it standing right behind the glass of the shelf, showing me its whole cover, while a few dozens of original Penguin editions (once brought by Dad from a conference trip to America) were obediently lining along the shelf behind it.

Every morning, a sun beam creeped into the room to count little penguins on the book spines (I deliberately kept the curtains wide open to let the sunbeam in). I would wake up and lie quietly for a while, listening to birds chirping right outside and watching that beam. It would creep along the shelf and light up little images of penguins one by one, until it reached the bright yellow cover of Crome Yellow, and then the whole shelf would start glowing with tender, yellowish light. When the beam reached leter ‘R’, it was time for me to get up and go to school.

I did not try reading the books from that shelf until I was 16 or so. They were written in real American and British English, not the English that I was taught in the Soviet-time high school, so they were too difficult for me to read. When I finally turned my eyes toward that shelf, I was a senior high school student, preparing to enter a university department of English language and philology, and I was looking for every possible opportunity to learn the ‘real’ English language, which the natve speakers used.

Crome Yellow was the handiest book to reach, so I took it from the shelf first. Having struggled through the first dozen of pages, I realized that I could read it– with dictionary, of course, and very slowly, but I understood the language in general. Then, with every next page, I got used to Huxley’s style, and reading became easier. I think I did not understand some of the idioms, but I sensed sarcasm and the witty style of a young, intelligent and a bit maximalistic narrator from the very beginning. Thanks to Crome Yellow, for the first time in my life, I felt proud of myself: I could read original English classics!

At that time, I had no idea about other books written by Huxley, neither I knew who he was or when exactly he lived; I could not even tell whether he was British or American, but reading Crome Yellow opened the whole new world of literature-in-English for me. It was largely due to this book that I finally decided to pursue the idea of obtaining a university diploma in English language and literature.

Now, when I am familiar with most of Aldous Huxley’s books, I realized that I never happened to re-read Crome Yellow since university. I downloaded it for reading this morning, and from the very first lines I am in love with this book again!

How could that reviewer not see the wonderful work of mind going on right behind the words of the characters? How can anybody say that ‘nothing really happens’ in the book, when what happens every second is the work of sharp, witty, observational mind, which provokes the reader to think together with the narrator? To me, the excellence of the novel is exactly in its atypical plot structure: the simplicity of the plot was developed deliberately in order to picture the life of people, who ‘talk a lot’ and would like to accomplish a lot, but their intentions seldom go farther than just talking, so ‘nothing really happens’ in their lives.

Today, three decades after I was a teenager, that yellow cover still faces the window in my parents’ apartment, and the long shelf of Penguin books still makes a neat line behind it. Every time I visit my parents’ home, I am tempted to enter that room in the morning hours to see how the sun beam travels along the shelf, showing me little penguins on the book spines and creeping to reach yellow cover with big white letters: Crome Yellow. When it does, I remember the words from the book:

“All that happens means something; nothing you do is ever insignificant.”
― Aldous Huxley, Crome Yellow

Aldous3It was a significant thing for me to watch that sun beam creep over Crome Yellow cover every morning: it helped me choose my directions in life. I am thankful to Huxley for this, because he could convince me so gently! Nothing really happened, but I came to the most important, life altering decision. Isn’t it what distinguishes a real classic from a scribbler?

* * *

These are my favorite lines from the book. Enjoy (or read the whole book, I am sure you will love it):

“He had been making an unsuccessful effort to write something about nothing in particular”

“Things somehow seem more real and vivid when one can apply somebody else’s ready-made phrase about them.”

“He took nobody by surprise; there was nobody to take.”

“As for women, I am perpetually assuring myself that they’re the broad highway to divinity”.

Writings from the Couch

Processes of Discovery in the Mind

Shelf Love

live mines and duds: the reading life