Due to the nature of my job, reading ‘eats up’ at least two thirds of my time every day, it has always been so. The rest of the time goes on writing and living my human life, but this kind of lifestyle leaves me little to no time for thinking– I mean, the efficient, productive thinking that normally leads us to something new.
As a teacher, I read through lots of student materials daily; I have to learn a lot, because otherwise I will have nothing to teach them. As a translator/interpreter, I have to know a lot and this makes me read endlessly about so many diferent things. As an author… well, I don’t even have to begin explaining it: reading is critical.
This is why whenever I read an article, a coursebook text, or a piece of fiction, I catch myself on thinking: “Eww, too many words! Too many words! Guys, please!” I want to finish every piece as quickly as possible, because my ‘to read’ list is itself as long as a novel.
I am sure I am not alone in this. Many people regret having to waste their time even when they are reading a fiction book with no practical reason, for pure pleasure. Time is becoming our strictest warder; we simply can’t afford to spend days on reading a book anymore.
I thought I found an answer by starting to listen to audiobooks when I am in gym or while cooking and doing stuff with my hands. It helped, not for a long time, though. My ‘to read’ list is still growing fast, and my time is still slipping away.
Some colleagues suggest that it’s good to study speed reading. I am sure it is, but is this going to solve the problem? Just a little, but– no, I’m afraid. I believe that we are going to end up inventing a way of speed thinking soon. But isn’t thinking in a hurry the most dangerous business of all?
I think the best answer for readers would be to ‘brush up’ their ‘to read’ lists and start reading more selectively, while writers will have to accept the approach of condensed writing — when everything is put in the most precise and well-structured way, so that the reader can easily grasp the idea of every passage and quickly move on.
In fact, the process is taking place already, even for the fiction books. I just analyzed a dozen of bestsellers published in 2018 and compared them to a dozen of fiction bestsellers which were first published between 2000 and 2005. The results are very interesting: on the total, the more recent novels have become more ‘visual’ and imaginative (the descriptions are built to create fast images in the reader’s mind); the passages in novels have become shorter; there are more dialogs, in which sentences are becoming shorter, too, and it is not unusual to see chapters of the cize of a page anymore. As far as I know, this was not a usual thing in the literature published in the 20-th century.
So, condensed writing is taking over little by little. I think I need to study and compare more texts — who knows, maybe a deeper research is going to reveal more tendencies which I have not noticed yet?
It is always good to be aware of the dynamics of the industry you represent, so I try not to miss the annual emails on 
I never thought that returning to blogging after a break of a few months would be so difficult. In fact, these days, I am returning not only to blogging, but to writing fiction, as well. The break was necessary, for I had to focus on writing a massive non-fiction book on preparing for the first job interview, which is intended for students and college/university graduates. Now, that work is almost finished, the book will be published in one of the leading Ukrainian publishing houses in 2019.
So, my mind is free from that work, but I recently found out that it is kind of free from other thoughts, too! I am hollow and empty like a Christmas tree ball ornament!
I provided an example below the scheme, which illustrates the elements of the sentence structure. This example can also show us that the sample one-sentence description–
Rejections wear you out. They kill inspiration and boost the author’s inferiority complex, especially when the writer is new to the publishing world. When taking their first steps in fiction writing, the debut authors have no experience to rely on, and quite often, they have noone to ask about the industry’s ‘rules of conduct’. At the same time, it is very important for a beginner to build some expectations about what they are going to face.
In the Soviet time, when I studied at school and later at university, no one ever bothered to teach us any methods of writing. We never did any training in organizing or planning compositions, not to mention such things as structuring book plots or writing marketable outlines. As far as I know, the situation has not changed much since then in the post-Soviet educational establishments, so many of my compatriots, even those with diplomas of journalists (no universities have ever had any programs for fiction writers here) have a good understanding of how to plan, or structure, or organize a text. So, I have been learning to do this from A to Z, previously as an academic books author and now as a beginner in fiction writing.
My other favorite guide is the 
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