A Few More “Twitts” by Leo Tolstoy

Life without love is easier. But without love it makes no sense. (Без любви жить легче. Но без неё нет смысла.)

I don’t have everything that I love. But I love everything that I have. (У меня нет всего, что я люблю. Но я люблю всё, что у меня есть.)

The world moves forward thanks to those who suffer. (Мир движется вперёд благодаря тем, кто страдает.)

To start believing in good deeds, one needs to start doing them. (Чтобы поверить в добро, надо начать делать его.)

The most hurtful form of selfishness is self-sacrifice. (Самая обидная форма эгоизма — это самопожертвование.)

The real power of man is not in the movements of soul, but in unbreakable calmness. (Истинная сила человека не в порывах, а в нерушимом спокойствии.)

Leo Tolstoy and His Twitts – 2

A few more phrases by the great thinker Leo Tolstoy: short, and smart, and thought-provoking:

  • I am sure that the sense of life for everyone of us is simply to grow (mature) in love. (Я уверен, что смысл жизни для каждого из нас — просто расти в любви.)
  • It is not enough to be smart to live wisely. (Недостаточно быть умным, чтобы жить умно.)
  • Thinking is the ability to deviate from instincts and realize these deviations. (Ум — способность отклоняться от инстинкта и соображать эти отклонения.)
  • Always look for the best side in people, not the worst. (Ищи в других людях всегда хорошую сторону, а не дурную.)
  • Come up with as many things to keep yourself busy as you can. (Придумывай себе как можно больше занятий.)

Woman thinks on the background of blackboard

Leo Tolstoy and His Twitts

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If Leo Tolstoy lived today, he would probably sue Twitter for limiting his ability to express his ideas in their full length and beauty… or maybe he would not because, believe it or not, Tolstoy has written hundreds of short, yet astoundingly wise sayings, for which Twitter gurus must envy him. Here are a few of them:

  • Power of one person over another kills the powerful one first. (Власть одного человека над другим губит прежде всего властвующего.)
  • Patriotism is slavery. (Патриотизм есть рабство.)
  • Live your life so that you don’t have to be afraid of death or desire it. (Надо жить так, чтобы не бояться смерти и не желать её.)
  • I am positive that the world is being ruled by insane people. (Я серьезно убежден, что миром правят совсем сумасшедшие.)
  • Do not be afraid of lack of knowledge; be afraid of false knowledge. In it is the root of the world’s evil. (Не бойся незнания, бойся ложного знания. От него все зло.)

I will gladly share more in my future posts. I would not want to overload every poist with information, and these five short statements by the great thinker can “load” one’s mind for all day! Do you agree with me?

The Faster Millennials Breed, the Less the Book Authors Eat…

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There is an interesting paradox: in the new millennium, again, like in good old days, reading has become a privilege of a few. Centuries ago, the main obstacle to reading was mass illiteracy, so authors knew that their writing could only be appreciated by a thin social group of well educated and relatively wealthy. Today, when everyone can be a potential reader, the authors are facing a problem again: the short era of mass, unlimited reading is over: the millennial generation lacks time. By a trick of fate, the only shortcoming of reading – the fact that it is quite time-consuming – seems to negate all of its precious powers, because in our crazy world time has become the most valuable asset of all.

A good novel takes days (sometimes weeks) to read, while a good movie is visual and fast: a movie “retells” you the longest book in as little as an hour or two, so books can no longer compete with such means of information transfer as television, movies, computer games, or the Internet, which altogether have turned the process of reading into nothing more than a careless time killer. With all the technologies available today, I am surprised that books still remain in vogue at all.

All in all, the authors of new books have to face it: the niche is rapidly thinning. Within a decade or so, reading is going to turn into a special treat, or hobby, appreciated only by the extravagant few, like listening to vinyl records or taking pictures on a film camera.

What does it mean to authors then? I guess two thirds of all authors will be kicked out of business in the nearest few years, while the quality standards for writing will soar up higher and higher.

An opponent might suggest that reading is good for our mind, it develops emotions and feeds our soul, it is undeniably healthier than anything else the technologies can offer… Yes, of course, this is true. Still, the tendency is quite clear: in the 21-st century, reading has become an unaffordable luxury, and the process is only beginning to develop.

With all this in mind, every new author should be realistic and not put all eggs in one basket: making a living by just writing books is hardly a good idea today. Even the most captivating novel may fail to attract the desired number of readers, simply because of the fact: most of them realize that they will never have time to read it.

A Legendary Marshal and His… Women

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Semyon Budyonny (1883 – 1973) was a legendary cavalryman in Russian army, who became famous for his bravery during World War I, then defected to the Bolsheviks, continued his glorious military career to become an iconic figure of revolutionary Red Army, and later, he became a friend of Joseph Stalin and was promoted to the rank of Marshal of the Soviet Union in 1935. In World War II, he took the blame for many of Stalin’s misjudgements, but was retained in high command because of his bravery and popularity. He was a notable horse-breeder, who declared that the tank could never replace the horse as an instrument of war. However, Budyonny’s brilliant military career did not fit with his love for the family hearth, so he managed to find family happiness only on the third attempt.

The Kossak

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He married for the first time in 1903, at the age of twenty. His wife Nadezhda, a kossak’s daughter from a neighboring village was the first beauty throughout the district. They married in winter, and in autumn of the same year Budyonny joined the army. His military career progressed rapidly. The best rider of the regiment quickly earned the respect of superiors and was promoted to an officer rank. During World War I, Budyonny was awarded St. George Cross four times. But real fame came to Budyonny with the Bolsheviks. When the Civil War broke out in 1918, Budyonny organized a Red Cavalry force in the Don region, which eventually became the 1st Cavalry Army. This Army played an important role in winning the Civil War for the Bolsheviks, driving the White General Anton Denikin back from Moscow. Budyonny joined the Bolshevik party in 1919 and formed close relationships with Joseph Stalin and Klim Voroshilov. «I decided that it was better to be a marshal if the Red Army than an officer in the White Army», he used to joke later.

During the Civil War, his wife Nadezhda was always with him. Since 1917, she was in charge of the infirmary in his squad, helping to produce food and medicines for the soldiers. After the war they settled up in Moscow, in an elite multi-apartment house where only government families resided. Some rumors of that time said that “first class” life in Moscow did not work in favor of Semyon and Nadezhda’s relationship. Surrounded by the glitter of Moscow elite Nadezhda looked a bit too rustic. But the real reason was the fact that the young family did not have children, and Semyon passionately wanted tohave kids. Nadezhda used to accuse her husband of having some health problem, and finally both started having little affairs on the side and became quite indiferent to each other. An absurd tragic accident put an end to their relationship. In 1924, during a home party, Nadezhda accidentally shot herself from her husband’s gun. The tragedy occurred in the presence of several witnesses. Budyonny was deeply shocked by the death of his wife.

The Actress

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A few months after the death of his wife, a new mistress turned up in Budyonny’s home – an opera singer (at that time a student of the Conservatory), Olga Mikhailova, a beautiful, elegant young woman who knew very well what she wanted from her life. She wanted to become a famous actress, to shine and conquer all around her. She reasonably decided that a famous husband was exactly what she needed, and very soon she became a prima at the Bolshoi Theatre. But this was not Budyonny’s dream of a family life: he wanted a cozy, friendly home, with quiet evenings and, of course, children. To Olga, however, kids were a catastrophy, which would men a long break in her singing and acting career, she could not even think about turning into a housewife. And again, Budyonny was accused of inability to have kids, and the old story repeated itself. They lived together for almost 14 years, though. They would probably live longer, but suddenly, politics intervened in the case.
In the winter of 1937, Stalin called for Budyonny. He told that Olga was not behaving appropriately, compromising Budyonny and the Revolution itself. Stalin recommended Budyonny to meet with the NKVD (former name of KGB) Head, Nikolai Yezhov. Yezhov announced that, to his knowledge, Olga Mikhailova was having an intimate relationship with the artist of the Bolshoi Theatre Alexeyev; she had also been frequently seen around in the foreign embassies of Moscow, and noticed gambling at the races. Yezhov insisted that it was necessary to arrest her, interrogate and find out the details of her relationships with foreigners. Budyonny tried to intercede for his wife by saying that it was not a political case, but rather a relationship issue, but the KGB officers decided otherwise. In August of 1937, while Budyonny was away from Moscow inspecting military districts, Olga was arrested.

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She was sentenced to eight years in labor camps. Budyonny did not try to get her out of prison anymore: what he had learned about his wife from NKVD officers must have been really bewildering. During the whole time in imprisonment, Olga was treated very badly. She was hated by both, the administration and the other prisoners. In their eyes, she was a traitor, who deceived people’s hero and even more: attempted to slander him. In 1945, they added three more years to her imprisonment, and in 1948 she was sent to Krasnoyarsk region (Siberia), where the former prima of the Bolshoi worked as a cleaner in a local school.

In 1955 (after Stalin’s death in 1953), Budyonny sent a letter to KGB requesting to review the case of his second wife. Olga was released, and in 1956 she finally returned to Moscow. But after 19 years of prison she was not the same person anymore – she was old, very ill, weak, and mentally unhealthy. Her stories about how she had been raped by whole groups of NKVD officers due to the accusations of attempting to poison Marshal Budyonny, Semen always felt very uncomfortable. Olga rarely visited his house after her return to Moscow.

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The marshal himself was lucky to escape Stalin’s repressions. Once, there was an attempt to arrest him, but the brave commander opened fire, shot the officers who came to arrest him, and immediately dialed Stalin’s number. “Josef, there’s the counter-revolution taking place here! Some people just came to arrest me! I am not giving up alive!”. After this, Stalin ordered to leave Budyonny alone. He said, “This old fool is of no danger to us.”

Semyon Budyonny had never been a fool, though. He was smart and inventive enough to get along with colleagues who hated each other. He was smart enough to pretend being a fool when facing Stalin, because he needed to take care of himself and his family.

The True Love

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Right after Olga’s arrest in 1937, Budyonny took her mother Varvara Ivanovna to Moscow. It was probably the feeling of guilt for Olga which made him settle his mother-in-law to live under the same roof with him. Now and then, Varvara Ivanobvna had a guest – her young niece, Maria, who was a medical student then. From time to time, she used to help her aunt with housework. Semyon was enchanted by the girl and soon, despite the shocking difference in age (34 years), proposed to Maria.

Their marriage turned out to be surprisingly happy. At fifty, Budyonny finally got what he had always wanted: the quiet family happiness and a friendly, cozy home. When a year later, Maria gave him a gift of the first son, Semyon was literally going crazy of happiness; having been accused of inability to have children by two previous wives, he had stopped dreaming about ever having kids at all.

Another year passed, and a girl, Nina, was born. By Semyon’s 60-th birthday, Maria made him another wonderful gift – the second child, Mikhail.

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Budyonny literally dotted his wife and kids. He took all possible care to protect them, and never took Maria to the Kremlin receptions and parties. The happy family life made him youthful again. Till the end of his life he remained resilient, energetic, and healthy. At sixty, he could go down a stairs on his hands and he always remained an excellent rider. The legendary Red Army Marshal lived a long life, he died at 90 of a brain hemmorage.

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Some Facts from the Life of Fedor Shalyapin

Opera Singer, born Feb. 13, 1873 in Kazan, Russia. Died April 12, 1938 of kidney complications in Paris, France.

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Feodor Shalyapin (or: Chaliapin) was born into a peasant family in Kazan in 1873. At the age of 9 the boy, who had admired choir singing in a local church, was accepted into the choir and immediately displayed a wonderful voice and a perfect ear for music. The boy studied passionately and was given a scholarship for singing in the church. Later, he was sent to continue musical education in a private school of Vedernikova, but was excluded for kissing his class-mate.

His family did not see Fedor’s future as a singer, though. His father wanted him to become a shoemaker and young Shalyapin had to apprentice in his older brother’s shop for a few years, until he finally escaped to the capital and started building a career in singing and theatre acting.

shalyapin_avto

At the age of 17, in Russian Ufa, while performing his role in the opera “Halka”, Shalyapin accidentally missed the chair and fell on the stage. Since then, all his life long, he kept a sharp eye on every object on the stage, wherever he performed. After a few years of circuitous search of his own artistic personality, he finally acquired success in the Russian capital.

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Shalyapin’s personal life was quite complicated. He was married twice. He met his first wife, Italian ballerina Iola Tornagi (1873–1965), in Nizhny Novgorod. They married in Russia in 1898 and had six children. While married to Tornagi, Shalyapin lived with Marina Petsold (1882–1964), a widow who already had two children from her first marriage. She had three daughters with Shalyapin. His two families lived separately, one in Moscow and the other in Saint Petersburg, and did not interact. Shalyapin married Petsold in 1927 in Paris.

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Shalyapin was a very tall and strong man. Many of the singer’s contemporaries also noted the unprecedented power of voice. Once, after a performance, Leo Tolstoy shared his impressions about Shalyapin’s singing: “His singing is too loud.” Semyon Budyonny (the bolshevik cavalry commander and later and Soviet General in World War II), who met Shaliapin in a train once and had a bottle of champagne with him, remembered: “The car shuddered from his mighty bass.”

chaliapin_as_boris_godunov_artist_prokudin_gorsky

In 1918, soon after the Bolshevik revolution, Shalyapin took the position of artistic director of the Mariinsky Theatre (do do this, he had to refuse a similar position at the Bolshoi Theatre) and received the first and the highest Soviet-time title of “People’s Artist of the Republic”. Though in his young years Shalyapin sympathized with the revolution, the bolsheviks were not very supportive of his unique talent. The new revolutionary authorities confiscated his house, his car, and his bank savings; there were numerous attempts to accuse his theater colleagues and his family members of not being loyal to revolution. Trying to protect the family and colleagues, Shalyapin met the highest leaders of the country, including Lenin and Stalin, but those meetings only brought a temporary relief. Finally, in 1922 the family decided to immigrate. Shalyapin with family left Russia and took a number of highly successful projects in Europe and America. In 1927, the Soviet authorities deprived him of the title of People’s Artist and of the right to return home.

Shalyapin was known as a very good painter and sculptor, as well. Many of his drawings were preserved to our time, including his self-portrait.

shaliapin_self-portrait

Shalyapin used to collect old weapons – pistols, rifles, spears. Many of them were presented to him by his friend A.Gorky (famous Russian – Soviet writer), who was a highly respected figure among the Soviet authorities. This friendship helped Shaliapin to keep his collection through a few attempts of local housing office to confiscate it.

In memory of his talent, a star with his name was installed on the Hollywood Walk of Fame.

A recording of Shalyapin’s singing:

https://www.youtube.com/watch?v=M66eAMzQv8A

Sources:

http://projects.latimes.com/hollywood/star-walk/feodor-chaliapin/

http://www.aif.ru/culture/person/istoriya_lyubvi_fedor_shalyapin_i_iola_tornagi

http://bibliotekar.ru/shalyapin/index.htm

and Wikipedia

Alexander Pushkin’s Duels

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Every high school kid today knows that Alexander Pushkin was shot at a duel and died in 1837, at the age of 37. Dueling was a sign of that generation, but studying the full list of Pushkin’s duels, strikes me with awareness of how incredibly reckless were men at that time. Here is the list of Alexander Pushkin’s duels.

1816. Pushkin (aged 17) summoned his uncle Paul Hannibal to a duel.
The cause: during a ball, Paul lugged away Pushkin’s girlfriend, miss Loshakova.
The result: duel canceled.

1817. Pushkin summoned his friend Pyotr Kaverin to a duel.
The cause: Kaverin’s facetious poems.
The result: duel canceled.

1819. Pushkin summoned a poet Kondratiy Ryleev to a duel.
The cause: Ryleev told a joke about Pushkin at a high society gathering.
The result: duel canceled.

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1819. Pushkin was summoned to a duel by his friend Wilhelm Küchelbecker.
The cause: funny verses about Küchelbecker, namely the passage about «feeling Küchelbeckery and sickening».
The result: Wilhelm shot at Alexander, but missed, Alexander refused to shoot.

1819. Pushkin summoned Modest Korf, a Ministry of justice worker, to a duel.
The cause: Pushkin’s drunk manservant pestered Korf’s servant, who finally beat Pushkin’s servant up.
Result: duel canceled.

1819. Pushkin summoned Major Denisecich to a duel.
The cause: Pushkin behaved provocatively in theater: he yelled at actors, so Denisevich reprimanded Pushkin.
The result: duel canceled.

1820. Pushkin summoned Fedor Orlov and Alexey Alexeev to a duel.
The cause: Orlov and Alexeev reprimanded Pushkin for being drunk and trying to play pool, which disturbed the others.
The result: duel canceled.

1821. Pushkin summoned Deguilly, a French military officer, to a duel.
The cause: An argument, and a quarrel under unclear circumstances.
The result: duel canceled.

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1822. Pushkin was summoned to a duel by lieutenant colonel Semyon Starov.
The cause: a conflict occurred because of a restaurant orchestra at a casino, where both indulged in gambling.
The result: each of them shot the other, but both missed.

1822. Pushkin summoned a 65-year-old state councilor Ivan Lanov to a duel.
The cause: a quarrel during a holiday dinner.
The result: duel canceled.

1822. Pushkin summoned a Moldavian nobleman Todor Balsh, the host of the house where Pushkin was staying during his Moldavia trip.
The cause: Maria, Balsh’s wife, responded to Pushkin’s question in an impolite manner.
The result: both shot, but missed.

1822. Pushkin summons a Bessarabian landowner Skartla Pruncul to a duel.
The cause: Prunkul, as well as Pushkin, were seconds at someone else’s duel; they could not agree upon the rules of the duel.
The result: duel canceled.

1822. Pushkin summons Severin Pototsky to a duel.
The cause: discussion about serfdom at the dinner table.
The result: duel canceled.

1822. Pushkin was summoned to a duel by a captain Rutkowski.
The cause: Alexander Pushkin did not believe that a hailstone can weigh up to 3 pounds (which is possible) and made fun of the retired captain.
The result: duel canceled.
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1822. Pushkin summoned a Chisinau tycoon Inglezi to a duel.
The cause: Pushkin coveted his wife, a gypsy woman Ludmila Shekora.
The result: duel canceled.

1822. Pushkin was summoned to a duel by a General Staff warrant officer Alexander Zubov. The cause: Pushkin had caught Zubov on cheating during a game of cards.
The result: Zubov shot but missed Pushkin, then Pushkin refused to shoot.

1823. Pushkin summoned a young writer Ivan Rousseau to a duel.  The cause: Pushkin’s personal dislike for this person.
The result: duel canceled.

1826. Pushkin summoned Nikolay Turgenev, one of the leaders of the Union of Welfare, a member of the Northern Society, to a duel.
The cause: Tugrenev did not approve of Pushkin’s poems, especially, his epigrams.
The result: duel canceled.

1827. Pushkin was summoned to a duel by an artillery officer Vladimir Solomirskiy
The cause: the officer’s female friend, a Sofia, to whom Pushkin was personally attracted.
The result: duel canceled.

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1828. Pushkin summoned the Minister of Education Alexander Golitsyn to a duel.
The cause: Pushkin wrote a bold epigram, so the Minister arranged a rough interrogation, which Pushkin found humiliating.
The result: duel canceled.

1828. Pushkin summoned Lagrenée, a French Embassy Secretary in St.Petersburg.
The cause: an unknown girl at a ball.
The result: duel canceled.

1829. Pushkin summoned a Foreign Office worker, Mr. Hvostov to a duel.
The cause: Hvostov was dissatisfied by Pushkin’s epigrams, in particular, by the fact that Pushkin compared Khvostov with a pig.
The result: duel canceled.

1836. Pushkin summoned Nikolay Repin to a duel.
The cause: Repin was dissatisfied with Pushkin’s poems about him.  The result: duel canceled.

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1836. Pushkin summoned a Foreign Office worker Semyon Hlustin to a duel.
The cause: Hlustin did not approve of Pushkin’s poetry.
The result: duel canceled.

1836. Pushkin summoned Vladimir Sologub to a duel.
The cause: Sologub’s unflattering remarks about the poet’s wife, Natalia.
The result: duel canceled.

1836-37. Pushkin summoned a French officer George d’Anthès.
The cause: an anonymous letter, which stated that Pushkin’s wife had been cheating on her husband with d’Anthès.
The result: Pushkin wounded by d’Anthès, and died two days later, on January 29, 1837.

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Sources:

Вадим Алёшин. Список дуэлей Пушкина, ЖЖ. http://vakin.livejournal.com/1427046.html?utm_source=fbsharing&utm_medium=social

George Steiner. Pushkin’s date with death. https://www.theguardian.com/theobserver/1999/mar/14/featuresreview.review1

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Tchaikovsky!

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Everyone in the world knows the name of Russia’s most popular composer Pyotr Tchaikovsky (1840-1893), yet only few of us know that he used to be a heavy smoker, loved alcohol, used to extinguish fires in Russia, collected plants for herbariums, and had a real passion for travel. Here are a few interesting facts from the life of the greatest Russian composer.

Tchaikovsky began taking piano lessons when he was 5 years old. Along with his love for music, the boy adored poetry: he used to compose poems since early childhood. However, his parents hoped that he would grow up to work in the civil service. At the age of 10, they sent their son to the Imperial School of Jurisprudence, a boarding school in St. Petersburg.

In 1859, Tchaikovsky honored his parents’ wishes by taking up a bureau clerk post with the Ministry of Justice—a post he would hold for four years, during which time he became increasingly fascinated with music, and finally, at the age of 21 (in 1861), he enrolled at the newly founded St. Petersburg Conservatory. While studying, he gave private lessons to other students. Despite being really good at composing music, he demonstrated weaker results in orchestrating and conducting.

Young Peter Tc, 1863haikovsky

On the day of his graduation concert, Tchaikovsky was so nervous that he did not come to the exam, so his composition was performed in his absence. This made the conservatory rector Anton Rubinshtein really angry, he refused to give Tchaikovsky his graduation diploma. Only five years later, the new rector Nikolay Zaremba allowed Tchaikovsky to pick up the diploma from the conservatory.

Despite his many popular successes, Tchaikovsky’s life was punctuated by personal crises and depression. Contributory factors included his early separation from his mother for boarding school followed by his mother’s early death, the death of his close friend Nikolai Rubinstein, and the collapse of the one enduring relationship of his adult life, which was his 13-year association with a wealthy widow Nadezhda von Meck. His homosexuality, which he kept private, has traditionally also been considered a major factor, though some musicologists now downplay its importance.

Discussion of Tchaikovsky’s personal life, especially his sexuality, has perhaps been the most extensive of any composer in the 19th century and certainly of any Russian composer of his time. In fact, Tchaikovsky lived as a bachelor for most of his life. In 1868 he met Belgian soprano Desire Artot, they felt strong affection for each other and were engaged to be married, but due to Artot’s refusal to give up the stage or settle in Russia, the relationship ended. Tchaikovsky later claimed she was the only woman he ever loved.

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In 1877, at the age of 37, he wed a former student, Antonina Miliukova. Very soon, however, both of them realized that they mismatched psychologically and sexually. The marriage was a disaster, they only lived together for a few weeks before Tchaikovsky left. During a nervous breakdown, he unsuccessfully attempted to commit suicide, and eventually fled abroad. Some sources say that, due to some reasons, Tchaikovsky never divorced Antonina, so they remained officially married, though lived separately and never met after the separation.

tchaikovsky_and_antonina

Tchaikovsky could afford to resign from the Moscow Conservatory in 1878, thanks to the patronage of Nadezhda von Meck. She provided him with a monthly allowance until 1890; oddly, their arrangement stipulated that they would never meet. Again, this relationship keeps a mystery, which will probably never be cleared up.

nadezhda_von_meck

In the 1870s, Tchaikovsky destroyed his previously written opera “Voevoda”, which had successfully debuted in the Bolshoy Theater in 1869. The same thing happened to his “Undina”, an opera written in 1969, Tchaikovsky destroyed and threw it away in 1873. Luckily, the other eight operas which he wrote during his life, survived.

During the terrible summer fires of 1885, Tchaikovsky happened to stay in Klin, where he witnessed a fire that ruined dozens of houses and stores. Some locals stated that they saw the great composer among those who helped extinguish the fire.

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There is another interesting fact of Tchaikovsky’s life, which few of us know: the composer was one of the honorable guests invited to the opening of Karnegie Hall in the spring of 1891. Besides New York, he visited and orchestrated the performances of his works in Baltimore and Philadelphia.

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Tchaikovsky died in St. Petersburg on November 6, 1893. Some sources claim that he died of a glass of water. In a Moscow restaurant, he was served a glass of unboiled water and became infected with cholera. While the cause of his death was officially declared as cholera, some of his biographers believe that he committed suicide after the humiliation of a sex scandal trial. However, only oral (no written) documentation exists to support this theory. We will probably never know the truth about his death.

Tchaikocsky’s collective body of work constitutes 169 pieces, including symphonies, operas, ballets, concertos, cantatas and songs. Among his most famed late works are the ballets The Sleeping Beauty (1890) and The Nutcracker (1892).

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Fyodor Dostoevsky: a Glimpse at the Life of a Genius (Part Three)

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The second half of a man’s life is made up of nothing but the habits he has acquired during the first half.” F.Dostoevsky

Anna, the Angel

The devastating affair with Apollinaria threw Dostoevsky down into a terrible state of mind, but he had to return to work. Hounded by creditors, with a broken heart and an empty wallet, the writer could not afford more but to hire a stenographer and work on his new novel, The Gambler. This was how a charming Anna Snitkina, who had been dreaming about getting to know the famous writer, appeared in his home.
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Quite soon, they got to know each other really close. At first, the writer could only see an untiring assistant, but soon he realized that she had become a lot more. The difference in their age was striking – twenty five years – but little by little Dostoevsky found himself being unable to live without this woman. They got married in February of 1867, ten years after the writer’s first marriage. Dostoevsky was 46 then.

Young and inexperienced Anna accepted her husband’s weird sexual habits, she tried to take them for granted (there was violence, domination, and pain, which Dostoevsky took as a norm of sex life). Anna wrote in one of her notes once: “I am ready to spend the rest of my life standing on my knees in front of him.” All in all, the relationship satisfied both, but not the writer’s relatives, who never stopped badgering and harrassing the girl. Being aware that this confrontation could break the marriage, Anna suggested a trip abroad for a couple of months. Finally, the couple left Russia, and ended up spending four years in Europe.
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They lived in Germany, Switzerland, Italy. During that time, they buried their first newborn daughter, and gave birth to another baby – also a girl, Lubov (the word means “love”). They nurtured their love, they tried to get used to living together, they built their relationship little by little. It was not all smooth, they had many quarrels, but with time they learned to respect and treasure each other. He was painfully jealous, he grew a terrible complex because of their age difference, and another- because of his passion for gambling. She managed to deal with all that. She forgave and supported him whatever he did. Back in St.Petersburg, she gave him a gift of two sons. “Many Russian writers would feel a way better, if they had wives like Dostoevsky’s wife,” Leo Tolstoy used to say.
dostoevskiy_9_anna
Due to the peaceful environment created by Anna in their home, Dostoevsky stopped having epilepsy attacks, he became calm and his character improved really much. Unfortunately, he was not destinied to live a long life… in January of 1881, the writer fell ill. One morning, he called for Anna and told her: “Remember, Anna, I have always loved you as much as I could, I never cheated on you, even in my thoughts.” By the evening of that day, he passed away.
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Anna never got married again. She devoted the rest of her life to serving the name of her talented husband. She published a full collection of his works, put together his letters and notes, encouraged their friends to write a biography of Dostoevsky, opened a Dostoevsky School in Staraya Russa, and wrote a wonderful book of memoirs about her life with one of the greatest minds of her time.

Today, Dostoevsky is still as welcome by his readers as he was in the 19-th and the 20-th centuries. To a large part, this is so due to untiring effort of his wonderful wife Anna, who remained his friend, supporter, partner, as well as his best financial manager and promoter till the end of her life.

dostoyevskiy_st-petersburg

Fyodor Dostoevsky: a Glimpse at the Life of a Genius (Part 2)

An Ordeal Called Apollinaria

“Beauty is mysterious as well as terrible. God and devil are fighting there, and the battlefield is the heart of man.” F.Dostoevsky

While being married to Maria Isaeva, Dostoevsky got involved into an affair with Apollinaria Suslova, a woman who was two dozen years younger than him. They met at a public reading of his book in St.Petersburg, where Dostoevsky resided then. She was a thin, graceful twenty-two-year-old beauty with blue eyes and a thick mass of gorgeous red hair: she was a perfect, fresh, blossoming flower, which he could not pass by. Soon, Dostoevsky was pleased to find out that he was the first one to pick it up…

dostoyevskiy_4_appolinariya

She turned out to be an eccentric, whimsical girl, but with her the writer climbed to the heights of passion which he had not known before. He could hardly retain enough reason not to succumb to her calls to leave his dying wife. Being continuously torn by internal contradictions, Dostoevsky actually lived in two worlds of torturing himself and torturing the others.

dostoyevskiy_7_portrait

Finally, they decided to take a trip abroad… secretly, of course. Apollinaria was the first to leave, but when Dostoevsky finally managed to join her, she made a confession: she had fallen in love with another man. He continued trying to conquer her back for quite a long time since then, not realizing that suffering had become quite a delight. After Maria’s death, he called Apollinaria to return to St.Petersburg. He tried to dull his pain in the arms of another charming girl, a twenty-year-old Anna Korvin-Krukovskaya of a noble family. Nothing worked! Apollinaria magnetized the writer, his heart remained with her.

He came to visit her after two years of separation, but he did not find the Apollinaria he had known before. She became cold, haughty, and whenever they gave moments of intimacy, she gave herself to him with undisguised contempt. It was then when he lost a whole fortune at roulette in Baden-Baden. This epizode of his life was reflected in the novel “Игрок” (The Gambler).

In the spring of 1866, Apollinaria left the capital for country life in her brother’s home, and Dostoevsky never happened to meet her again. She died in 1918 – the same year and at the same sea coast where died the second wife of the writer.

dostoyevskiy_6_the-gambler

Please, read the third part in my next post.

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